The Literature Book (Big Ideas Simply Explained) (2016)



Systems of writing were first used as a means of recording administrative and commercial transactions. Gradually, these systems became more advanced, preserving ancient wisdom, historical records, and religious ceremonies, all of which had previously been memorized and were passed down orally. Throughout the world's early civilizations, in Mesopotamia, China, India, and Greece, the written canon of literature first emerged as history and mythology.

The form that this earliest literature took was a long narrative poem, known as an epic, which focuses on the legends surrounding a great warrior or leader, and his battles to protect his people from their enemies and the forces of evil. The combination of historical events and mythical adventures, told in a metrical verse form, explained the people's cultural inheritance in an exciting and memorable way.


Tales of gods and men

The first known epics, which include the various versions of The Epic of Gilgamesh, and the great Sanskrit epics Mahabharata and Ramayana, often tell of the origin of a civilization, or a defining moment in its early history. Seen through the exploits of a heroic individual or a ruling family, these epics also explained the involvement of the gods, often contrasting their powers with the frailties of human heroes. This was a theme that also appeared in the later epics ascribed to Homer. His heroes Achilles and Odysseus are depicted not only as noble warriors in the Trojan War that established ancient Greece as a great power, but also as very human characters confronting both fate and their own weaknesses. Later, as Greek influence declined, Roman poets developed their own Latin version of the form, even borrowing the story of the Trojan War, as Virgil did in the Aeneid, to produce an epic of the beginning of Rome. The scale and depth of Homer’s epics, and their poetic structure, provided the foundation on which Western literature is built.

Greek drama

Another product of the tradition of storytelling in ancient Greece was drama, which developed from recounting a narrative to acting out the part of a character and thereby bringing the tale to life. Gradually, this dramatic storytelling became more sophisticated, and by the time Athens was established as a democratic nation-state, the theatre was an integral part of its culture, with dramatists such as Aeschylus, Euripides, and Sophocles producing tragedies and comedies which attracted audiences of thousands.

From Europe to Asia

In northern Europe oral storytelling prevailed, and the tales of these cultures were not written down until around the 8th century. The earliest known complete Anglo-Saxon epic, Beowulf, relates history and mythology preserved by the Scandinavian ancestors of the English. The later Icelandic sagas also drew from the Norse legends. Meanwhile, in mainland Europe the nobility were entertained by professional poets. Some poets took their subject matter from the mythology of ancient Greece and Rome, while the troubadours of southern France chose stirring stories of Charlemagne and his men in battle with the Islamic Moors and Saracens. The trouvères of northern France, in contrast, recited lyrical and passionate tales of chivalry and courtly love about the reign of the legendary King Arthur of Britain.

Further east, during the “Golden Age” of Islamic culture in the late medieval period when scholarship was held in high esteem, epic narrative tales such as those in the One Thousand and One Nights were valued for their capacity to entertain, although poetry was considered to be the highest form of literature. In ancient China, too, heroic legends were considered more a form of folklore than literature, and the first written texts to be accorded the status of classics were those that preserved the history, customs, and philosophy of the culture. Along with these factual texts, however, was a collection of odes that provided a model for Chinese poetry for centuries, reaching its high point under the emperors of the Tang dynasty.

In the 11th century, Japan, which had been dominated by Chinese culture, produced its own distinctive literature in the Japanese language. Fictional prose accounts of life in the Heian court developed from the ancient chronicles of the ruling dynasties, anticipating the emergence of the novel in Europe.




Bronze Age literature


30th century BCE Systems of writing first emerge in Mesopotamia and Egypt.

c.2600 BCE The earliest known texts – although not literary ones – are written on tablets, in the Sumerian language, at Abu Salabikh, Mesopotamia.

c.2285–2250 BCE The earliest known author, Akkadian princess and priestess Enheduanna, lives and works in the Sumerian city of Ur.


c.1700–1100 BCE The Rig Veda, the first of the four Hindu sacred texts known as Vedas, is written in northwestern India.

c.1550 BCE The Egyptian Book of the Dead is the first of the Egyptian funerary texts to be written on papyrus rather than the walls of tombs or coffins.

Writing first appeared in Mesopotamia at the beginning of what is now known as the Bronze Age (c.3300–1200 BCE). Cuneiform symbols, originally devised as a means of recording commercial transactions, had evolved from numerals into representations of sounds, which offered a means of writing down the Sumerian and Akkadian languages.

Among the fragments of texts discovered in 1853 by the Assyrian archaeologist Hormuzd Rassan are tablets inscribed with tales of the legendary King Gilgamesh of Uruk, which are some of the earliest examples of written literature. The stories had probably been passed down orally in a form that combined history and mythology.

"The life that you seek you never will find."

The Epic of Gilgamesh

From tyrant to hero

The Epic of Gilgamesh, as the collected tales are known, tells how the oppressive ruler of the Mesopotamian city of Uruk is taught a lesson, and goes on to become a local hero. To punish Gilgamesh for his arrogance, the gods send the “wild man” Enkidu, formed from clay, to torment him. After a fight, however, they become friends, and embark on a series of monster-slaying adventures. Angered by this turn of events, the gods sentence Enkidu to death. Gilgamesh is distraught at the loss of his companion, but also becomes aware of his own mortality. The second half of the tale tells of Gilgamesh’s quest for the secret of eternal life and of his return to Uruk – still a mortal, but a wiser man and more noble ruler.

See also: Mahabharata • Iliad • Beowulf • Njal’s Saga