Psychobook: Games, Tests, Questionnaires, Histories - Julian Rothenstein (2016)
Chapter 6. Further Tests
Word Association Test
This test is closely associated with Carl Jung, who developed it at the beginning of the last century. (His famous lecture “The Association Method” was published in 1910.) A list of words of different types (nouns, verbs, adjectives, abstract, concrete, etc.) is read out to the person being tested, who, after each word, responds as quickly as possible with the first word that occurs to him or her. The analyst notes the speed and intensity of reactions to the different words, and draws inferences about the underlying reasons for different responses. Responses are also analyzed by type (these “types” differ from clinician to clinician): e.g., opposites (dark/light); associations (night/dream); definitions (table/furniture); predicates, in which the response signals a judgment (knife/dangerous, flower/pretty). These types of response are collated and related to response times, and patterns and recurrences are noted and analyzed. The following is Jung’s own list, as published in the 1910 lecture.
Many “associations” are not, of course, purely a function of the individual mind, but simply reflect the frequent co-occurrence of the words in the language environment, e.g., cross/road, left/right, top/class.
1. head
2. green
3. water
4. to sing
5. dead
6. long
7. ship
8. to pay
9. window
10. friendly
11. to cook
12. to ask
13. cold
14. stem
15. to dance
16. village
17. lake
18. sick
19. pride
20. to cook
21. ink
22. angry
23. needle
24. to swim
25. voyage
26. blue
27. lamp
28. to sin
29. bread
30. rich
31. tree
32. to prick
33. pity
34. yellow
35. mountain
36. to die
37. salt
38. new
39. custom
40. to pray
41. money
42. foolish
43. pamphlet
44. despise
45. finger
46. expensive
47. bird
48. to fall
49. book
50. unjust
51. frog
52. to part
53. hunger
54. white
55. child
56. to take care
57. lead pencil
58. sad
59. plum
60. to marry
61. house
62. dear
63. glass
64. to quarrel
65. fur
66. big
67. carrot
68. to paint
69. part
70. old
71. flower
72. to beat
73. box
74. wild
75. family
76. to wish
77. cow
78. friend
79. luck
80. lie
81. deportment
82. narrow
83. brother
84. to fear
85. stork
86. false
87. anxiety
88. to kiss
89. bride
90. pure
91. door
92. to choose
93. hay
94. contented
95. ridicule
96. to sleep
97. month
98. nice
99. woman
100. to abuse
Carl Jung, photographer and date unknown
Sentence Completion Test
This projective test requires subjects to complete the following sentences in a way that has some meaning for them. Of course this instruction will not necessarily elicit a truthful completion, and some question beginnings are wide open to fantastic and fabricated completions. Who would know if the completed sentence reflects conscious or unconscious thoughts and feelings? How could they know, one way or the other? What do you make of your own efforts?
The Color Test
A famous color test was devised by the Swiss psychologist Max Lüscher and first published in 1947. Simple in application, its sophistication lies in its careful matching of attributes not only to the colors preferred by the viewer but to those colors less liked, those toward which he or she feels merely neutral, and those actively disliked. Analysis of the accumulated data, it is claimed, provides the professional tester with a complex psychological profile of the person tested, with clues to willpower, commitment and motivation, emotional and mental conditions, interpersonal skills and aspirations, and much else. The analytic guidelines provided for the test are intriguingly diverse (and sometimes confused) in their categories. Someone who likes brown best, for example, “wishes to charm, attract and enchant” others, while someone who is neutral about green is “a friendly person, who bonds easily and could take pleasure in eroticism.” (That equivocal “could” is interesting: it is possible, it seems, to be neutral about green and yet not to take pleasure in the erotic.) Actively disliking purple means, according to the test, that you “want to experience all life has to offer without having to suffer from nervous exhaustion.” (Might it not be the case that those who really like purple might also have a keen appetite for life, and a desire to stay lively?) The interpretations in this book are greatly simplified adaptations, and this generalizing approach leaves out of consideration many of the subtleties of the test as administered by professional experts. The test has many applications, having been used, for example, in selection procedures for job candidates and as the basis of industrial interior decor intended to increase productivity. Its efficacy in these various circumstances is difficult to evaluate. The language of the test key has at times a remarkable similarity to that of horoscopes.
Overleaf: From the color test devised for this book, choose the colors that you actively like, those you feel neutral about, and those you actively dislike. Then turn to page 187 for interpretations.
If you were a musical instrument which of these would you be?
VIOLIN
DOUBLE BASS
PIANO
DRUM
ACCORDION
SAXOPHONE
TRIANGLE
FLUTE
BAGPIPES