I Know Why the Caged Bird Sings - Maya Angelou (1993)

Chapter 34

Later, my room had all the cheeriness of a dungeon and the appeal of a tomb. It was going to be impossible to stay there, but leaving held no attraction for me, either. Running away from home would be anticlimactic after Mexico, and a dull story after my month in the car lot. But the need for change bulldozed a road down the center of my mind.

I had it. The answer came to me with the suddenness of a collision. I would go to work. Mother wouldn’t be difficult to convince; after all, in school I was a year ahead of my grade and Mother was a firm believer in self-sufficiency. In fact, she’d be pleased to think that I had that much gumption, that much of her in my character. (She liked to speak of herself as the original “do-it-yourself girl.”)

Once I had settled on getting a job, all that remained was to decide which kind of job I was most fitted for. My intellectual pride had kept me from selecting typing, shorthand or filing as subjects in school, so office work was ruled out. War plants and shipyards demanded birth certificates, and mine would reveal me to be fifteen, and ineligible for work. So the well-paying defense jobs were also out. Women had replaced men on the streetcars as conductors and motormen, and the thought of sailing up and down the hills of San Francisco in a dark-blue uniform, with a money changer at my belt, caught my fancy.

Mother was as easy as I had anticipated. The world was moving so fast, so much money was being made, so many people were dying in Guam, and Germany, that hordes of strangers became good friends overnight. Life was cheap and death entirely free. How could she have the time to think about my academic career?

To her question of what I planned to do, I replied that I would get a job on the streetcars. She rejected the proposal with: “They don’t accept colored people on the streetcars.”

I would like to claim an immediate fury which was followed by the noble determination to break the restricting tradition. But the truth is, my first reaction was one of disappointment. I’d pictured myself, dressed in a neat blue serge suit, my money changer swinging jauntily at my waist, and a cheery smile for the passengers which would make their own work day brighter.

From disappointment, I gradually ascended the emotional ladder to haughty indignation, and finally to that state of stubbornness where the mind is locked like the jaws of an enraged bulldog.

I would go to work on the streetcars and wear a blue serge suit. Mother gave me her support with one of her usual terse asides, “That’s what you want to do? Then nothing beats a trial but a failure. Give it everything you’ve got. I’ve told you many times, ‘Can’t do is like Don’t Care.’ Neither of them have a home.”

Translated, that meant there was nothing a person can’t do, and there should be nothing a human being didn’t care about. It was the most positive encouragement I could have hoped for.

In the offices of the Market Street Railway Company, the receptionist seemed as surprised to see me there as I was surprised to find the interior dingy and the décor drab. Somehow I had expected waxed surfaces and carpeted floors. If I had met no resistance, I might have decided against working for such a poor-mouth-looking concern. As it was, I explained that I had come to see about a job. She asked, was I sent by an agency, and when I replied that I was not, she told me they were only accepting applicants from agencies.

The classified pages of the morning papers had listed advertisements for motorettes and conductorettes and I reminded her of that. She gave me a face full of astonishment that my suspicious nature would not accept.

“I am applying for the job listed in this morning’s Chronicle and I’d like to be presented to your personnel manager.” While I spoke in supercilious accents, and looked at the room as if I had an oil well in my own backyard, my armpits were being pricked by millions of hot pointed needles. She saw her escape and dived into it.

“He’s out. He’s out for the day. You might call tomorrow and if he’s in, I’m sure you can see him.” Then she swiveled her chair around on its rusty screws and with that I was supposed to be dismissed.

“May I ask his name?”

She half turned, acting surprised to find me still there.

“His name? Whose name?”

“Your personnel manager.”

We were firmly joined in the hypocrisy to play out the scene.

“The personnel manager? Oh, he’s Mr. Cooper, but I’m not sure you’ll find him here tomorrow. He’s … Oh, but you can try.”

“Thank you.”

“You’re welcome.”

And I was out of the musty room and into the even mustier lobby. In the street I saw the receptionist and myself going faithfully through paces that were stale with familiarity, although I had never encountered that kind of situation before and, probably, neither had she. We were like actors who, knowing the play by heart, were still able to cry afresh over the old tragedies and laugh spontaneously at the comic situations.

The miserable little encounter had nothing to do with me, the me of me, any more than it had to do with that silly clerk. The incident was a recurring dream, concocted years before by stupid whites and it eternally came back to haunt us all. The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere.

I went further than forgiving the clerk, I accepted her as a fellow victim of the same puppeteer.

On the streetcar, I put my fare into the box and the conductorette looked at me with the usual hard eyes of white contempt. “Move into the car, please move on in the car.” She patted her money changer.

Her Southern nasal accent sliced my meditation and I looked deep into my thoughts. All lies, all comfortable lies. The receptionist was not innocent and neither was I. The whole charade we had played out in that crummy waiting room had directly to do with me, Black, and her, white.

I wouldn’t move into the streetcar but stood on the ledge over the conductor, glaring. My mind shouted so energetically that the announcement made my veins stand out, and my mouth tighten into a prune.

I WOULD HAVE THE JOB. I WOULD BE A CONDUCTORETTE AND SLING A FULL MONEY CHANGER FROM MY BELT. I WOULD.

The next three weeks were a honeycomb of determination with apertures for the days to go in and out. The Negro organizations to whom I appealed for support bounced me back and forth like a shuttlecock on a badminton court. Why did I insist on that particular job? Openings were going begging that paid nearly twice the money. The minor officials with whom I was able to win an audience thought me mad. Possibly I was.

Downtown San Francisco became alien and cold, and the streets I had loved in a personal familiarity were unknown lanes that twisted with malicious intent. Old buildings, whose gray rococo façades housed my memories of the Forty-Niners, and Diamond Lil, Robert Service, Sutter and Jack London, were then imposing structures viciously joined to keep me out. My trips to the streetcar office were of the frequency of a person on salary. The struggle expanded. I was no longer in conflict only with the Market Street Railway but with the marble lobby of the building which housed its offices, and elevators and their operators.

During this period of strain Mother and I began our first steps on the long path toward mutual adult admiration. She never asked for reports and I didn’t offer any details. But every morning she made breakfast, gave me carfare and lunch money, as if I were going to work. She comprehended the perversity of life, that in the struggle lies the joy. That I was no glory seeker was obvious to her, and that I had to exhaust every possibility before giving in was also clear.

On my way out of the house one morning she said, “Life is going to give you just what you put in it. Put your whole heart in everything you do, and pray, then you can wait.” Another time she reminded me that “God helps those who help themselves.” She had a store of aphorisms which she dished out as the occasion demanded. Strangely, as bored as I was with clichés, her inflection gave them something new, and set me thinking for a little while at least. Later when asked how I got my job, I was never able to say exactly. I only knew that one day, which was tiresomely like all the others before it, I sat in the Railway office, ostensibly waiting to be interviewed. The receptionist called me to her desk and shuffled a bundle of papers to me. They were job application forms. She said they had to be filled in triplicate. I had little time to wonder if I had won or not, for the standard questions reminded me of the necessity for dexterous lying. How old was I? List my previous jobs, starting from the last held and go backward to the first. How much money did I earn, and why did I leave the position? Give two references (not relatives).

Sitting at a side table my mind and I wove a cat’s ladder of near truths and total lies. I kept my face blank (an old art) and wrote quickly the fable of Marguerite Johnson, aged nineteen, former companion and driver for Mrs. Annie Henderson (a White Lady) in Stamps, Arkansas.

I was given blood tests, aptitude tests, physical coordination tests, and Rorschachs, then on a blissful day I was hired as the first Negro on the San Francisco streetcars.

Mother gave me the money to have my blue serge suit tailored, and I learned to fill out work cards, operate the money changer and punch transfers. The time crowded together and at an End of Days I was swinging on the back of the rackety trolley, smiling sweetly and persuading my charges to “step forward in the car, please.”

For one whole semester the street cars and I shimmied up and scooted down the sheer hills of San Francisco. I lost some of my need for the Black ghetto’s shielding-sponge quality, as I clanged and cleared my way down Market Street, with its honky-tonk homes for homeless sailors, past the quiet retreat of Golden Gate Park and along closed undwelled-in-looking dwellings of the Sunset District.

My work shifts were split so haphazardly that it was easy to believe that my superiors had chosen them maliciously. Upon mentioning my suspicions to Mother, she said, “Don’t worry about it. You ask for what you want, and you pay for what you get. And I’m going to show you that it ain’t no trouble when you pack double.”

She stayed awake to drive me out to the car barn at four thirty in the mornings, or to pick me up when I was relieved just before dawn. Her awareness of life’s perils convinced her that while I would be safe on the public conveyances, she “wasn’t about to trust a taxi driver with her baby.”

When the spring classes began, I resumed my commitment with formal education. I was so much wiser and older, so much more independent, with a bank account and clothes that I had bought for myself, that I was sure that I had learned and earned the magic formula which would make me a part of the gay life my contemporaries led.

Not a bit of it. Within weeks, I realized that my schoolmates and I were on paths moving diametrically away from each other. They were concerned and excited over the approaching football games, but I had in my immediate past raced a car down a dark and foreign Mexican mountain. They concentrated great interest on who was worthy of being student body president, and when the metal bands would be removed from their teeth, while I remembered sleeping for a month in a wrecked automobile and conducting a streetcar in the uneven hours of the morning.

Without willing it, I had gone from being ignorant of being ignorant to being aware of being aware. And the worst part of my awareness was that I didn’t know what I was aware of. I knew I knew very little, but I was certain that the things I had yet to learn wouldn’t be taught to me at George Washington High School.

I began to cut classes, to walk in Golden Gate Park or wander along the shiny counter of the Emporium Department Store. When Mother discovered that I was playing truant, she told me that if I didn’t want to go to school one day, if there were no tests being held, and if my school work was up to standard, all I had to do was tell her and I could stay home. She said that she didn’t want some white woman calling her up to tell her something about her child that she didn’t know. And she didn’t want to be put in the position of lying to a white woman because I wasn’t woman enough to speak up. That put an end to my truancy, but nothing appeared to lighten the long gloomy day that going to school became.

To be left alone on the tightrope of youthful unknowing is to experience the excruciating beauty of full freedom and the threat of eternal indecision. Few, if any, survive their teens. Most surrender to the vague but murderous pressure of adult conformity. It becomes easier to die and avoid conflicts than to maintain a constant battle with the superior forces of maturity.

Until recently each generation found it more expedient to plead guilty to the charge of being young and ignorant, easier to take the punishment meted out by the older generation (which had itself confessed to the same crime short years before). The command to grow up at once was more bearable than the faceless horror of wavering purpose, which was youth.

The bright hours when the young rebelled against the descending sun had to give way to twenty-four-hour periods called “days” that were named as well as numbered.

The Black female is assaulted in her tender years by all those common forces of nature at the same time that she is caught in the tripartite crossfire of masculine prejudice, white illogical hate and Black lack of power.

The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence. It is seldom accepted as an inevitable outcome of the struggle won by survivors and deserves respect if not enthusiastic acceptance.