The Aristocratic Pyromaniac Who Rode a Bear to Dinner: The Mad, Glorious Life of John Mytton

Impressive People: Stories of Remarkable Lives - Sykalo Eugen 2025

The Aristocratic Pyromaniac Who Rode a Bear to Dinner: The Mad, Glorious Life of John Mytton

Picture it: an English dining room in the 1820s, candlelight flickering against mahogany paneling, footmen lined up like pawns in a drawing-room chess game. The guests hush. A door bursts open. And in bounds a black bear, saddled and grunting, with a man astride it — laughing, roaring, dressed like a country squire on a foxhunt from hell.

That man was John “Mad Jack” Mytton, the aristocrat who once set himself on fire to cure hiccups. Because water, apparently, was too obvious.

Mytton wasn’t eccentric in the charming Downton Abbey way. He wasn’t a dandy in velvet making clever quips over claret. He was something far more combustible: a volatile blend of wealth, privilege, self-destruction, and myth-making that still feels oddly modern. If he were alive today, he’d have gone viral long before his first foxhound ever did. Think of him as Regency England’s answer to Hunter S. Thompson — if Thompson had been born into a fortune, inherited a Parliament seat at 25, and decided the best way to use it was to get spectacularly drunk and yell at the Speaker of the House.

Born to Burn

John Mytton entered the world in 1796 with all the trappings of privilege: a sprawling estate in Shropshire, a £60,000 inheritance (roughly £5 million today), and the full expectation that he would be, as his father had been, a proper English gentleman. That, of course, was never going to happen.

He was kicked out of Westminster School for fighting. Harrow lasted three terms. At Cambridge, he kept a stable of 2,000 dogs. Not a typo. Two thousand. He also rode horses through lecture halls and hired drunken tutors who wouldn’t mind.

At 16, he joined the military, not out of duty, but boredom. Fighting in the Napoleonic Wars was less exciting than he’d hoped. He spent more time losing his uniform than wearing it. And when peace arrived, so did the real campaign of Mad Jack’s life — an endless, spiraling battle against propriety, sobriety, and, eventually, sanity.

Life in the Saddle

Mytton loved horses the way gamblers love odds — passionately and destructively. He rode 150 foxhunts a year. Once, just for sport, he galloped a horse into a hotel dining room and jumped over the table. He’d enter racecourses dressed in wild colors, his long hair whipping behind him like an unkempt flag of defiance.

When he wasn’t hunting, he was spending. Fast. With the recklessness of a man who thought fortune was bottomless and death far away.

He owned 100 horses, 14 hunting dogs, and thousands of bottles of port. He wore a bear-skin waistcoat (not the bear he rode, presumably) and claimed to drink eight bottles of sherry a day. A country gentleman in name only, he turned his estate, Halston Hall, into a playground of absurdity. Once, to cure hiccups, he poured brandy over his shirt and lit it. His logic: shock the system. He did — and nearly burned alive.

He treated life like a dare. A man-size version of those “hold my beer” moments. Except the beer was brandy. And no one ever told him to stop.

Madness as Theater

Was he mad? Or just mad enough to make the world blink?

Mytton didn’t merely reject the rules of society. He rewrote them with a flaming quill. One Christmas, he tried to ride a bear into a formal dinner — a stunt so dangerous it left the bear injured and Mytton clawed and bloodied. Another time, he showed up naked on a freezing winter night and dove into a pond to “wake himself up.”

The aristocracy whispered. The public chuckled. And Mad Jack pressed on, oblivious or indifferent.

There was an art to his chaos — a kind of performative self-immolation that feels more punk than patrician. It wasn’t just thrill-seeking. It was anti-structure. An act of class suicide in installments. In an era of corsets and codes, he was pure unbuttoned id.

His antics may seem comedic in hindsight — the bear, the booze, the flaming hiccup cure — but beneath the laughter is a man slowly, spectacularly unraveling.

The Fall

The money didn’t last.

Neither did the horses, or the wives, or the liver.

By his thirties, Mytton was bankrupt. His inheritance gone. Halston Hall sold. He tried fleeing to Calais to dodge debt, only to be arrested upon return. He spent his last years in a debtor’s prison — not that he let that dampen his spirit. From his cell, he reportedly held lavish dinners for fellow inmates. Dressed in tatters, still carrying himself like the prince of the absurd.

He died in 1834 at 38. Liver disease, mostly. Or maybe just the logical conclusion of a life lived at full gallop toward the void.

The Cult of Mad Jack

Why does John Mytton still fascinate us?

Because we recognize him. We see echoes of him in our culture’s obsession with chaos and charisma. He’s the aristocrat-as-influencer, the human spectacle, the man whose downfall is the main attraction.

He lived before social media, but his legend spread like memes do — outrageous, irreverent, and unkillable. Biographies have tried to capture him. Historians have tried to frame him. But he remains uncontained, straddling the line between cartoon and cautionary tale.

There’s something deeply British about Mytton — the way madness is coated in manners, how aristocratic excess becomes a kind of performance art. But there’s something universal, too. The lure of freedom without consequence. The way destruction becomes a kind of legacy.

We remember Mad Jack not because he was noble, or wise, or good. We remember him because he burned so brightly he lit the wallpaper on fire.

Epilogue: Lessons from the Blaze

In the age of curated lives and moral tidiness, John Mytton stands out like a flare shot into a foggy sky. He was chaos in a cravat. A firework that forgot to come down. And while his story is equal parts hilarious and horrifying, it’s also strangely… freeing.

He lived without apology. Without edit. That might not make him a role model, but it makes him unforgettable.

Some people build legacies. Some inherit them.

Mad Jack Mytton set his on fire — and laughed as it burned.