Born to Run (2016)
It’s Thursday night, trash night. We are fully mobilized and ready to go. We have gathered in my grandfather’s 1940s sedan waiting to be deployed to dig through every trash heap overflowing from the curbs of our town. First, we’re heading to Brinckerhoff Avenue; that’s where the money is and the trash is finest. We have come for your radios, any radios, no matter the condition. We will scavenge them from your junk pile, throw them into the trunk and bring them home to “the shed,” my grandfather’s six-by-six-foot unheated wooden cubicle in a tiny corner of our house. Here, winter and summer, magic occurs. Here in a “room” filled with electrical wire and filament tubes, I will sit studiously at his side. While he wires, solders and exchanges bad tubes for good, we wait together for the same moment: that instant when the whispering breath, the beautiful low static hum and warm sundown glow of electricity will come surging back into the dead skeletons of radios we have pulled from extinction.
Here at my grandfather’s workbench, the resurrection is real. The vacuum silence will be drawn up and filled with the distant, crackling voices of Sunday preachers, blabbering pitchmen, Big Band music, early rock ’n’ roll and serial dramas. It is the sound of the world outside straining to reach us, calling down into our little town and deeper, into our hermetically sealed universe here at 87 Randolph Street. Once returned to the living, all items will be sold for five dollars in the migrant camps that, come summer, will dot the farm fields on the edge of our borough. The “radio man” is coming. That’s how my grandfather is known amongst the mostly Southern black migrant population that returns by bus every season to harvest the crops of rural Monmouth County. Down the dirt farm roads to the shacks in the rear where dust-bowl thirties conditions live on, my mother drives my stroke-addled grandpa to do his business amongst “the blacks” in their “Mickey Mouse” camps. I went once and was frightened out of my wits, surrounded in the dusk by hard-worn black faces. Race relations, never great in Freehold, will explode ten years later into rioting and shootings, but for now, there is just a steady, uncomfortable quiet. I am simply the young protégé grandson of the “radio man,” here amongst his patrons where my family scrambles to make ends meet.
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We were pretty near poor, though I never thought about it. We were clothed, fed and bedded. I had white and black friends worse off. My parents had jobs, my mother as a legal secretary and my father at Ford. Our house was old and soon to be noticeably decrepit. One kerosene stove in the living room was all we had to heat the whole place. Upstairs, where my family slept, you woke on winter mornings with your breath visible. One of my earliest childhood memories is the smell of kerosene and my grandfather standing there filling the spout in the rear of the stove. All of our cooking was done on a coal stove in the kitchen; as a child I’d shoot my water gun at its hot iron surface and watch the steam rise. We’d haul the ashes out the back door to the “ash heap.” Daily I’d return from playing in that pile of dust pale from gray coal ash. We had a small box refrigerator and one of the first televisions in town. In an earlier life, before I was born, my granddad had been the proprietor of Springsteen Brothers Electrical Shop. So when TV hit, it arrived at our house first. My mother told me neighbors from up and down the block would stop by to see the new miracle, to watch Milton Berle, Kate Smith and Your Hit Parade. To see wrestlers like Bruno Sammartino face off against Haystacks Calhoun. By the time I was six I knew every word to the Kate Smith anthem, “When the Moon Comes Over the Mountain.”
In this house, due to order of birth and circumstance, I was lord, king and the messiah all rolled into one. Because I was the first grandchild, my grandmother latched on to me to replace my dead aunt Virginia. Nothing was out of bounds. It was a terrible freedom for a young boy and I embraced it with everything I had. I stayed up until three a.m. and slept until three p.m. at five and six years old. I watched TV until it went off and I was left staring alone at the test pattern. I ate what and when I wanted. My parents and I became distant relatives and my mother, in her confusion and desire to keep the peace, ceded me to my grandmother’s total dominion. A timid little tyrant, I soon felt like the rules were for the rest of the world, at least until my dad came home. He would lord sullenly over the kitchen, a monarch dethroned by his own firstborn son at his mother’s insistence. Our ruin of a house and my own eccentricities and power at such a young age shamed and embarrassed me. I could see the rest of the world was running on a different clock and I was teased for my habits pretty thoroughly by my neighborhood pals. I loved my entitlement, but I knew it wasn’t right.
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When I became of school age and had to conform to a time schedule, it sent me into an inner rage that lasted most of my school years. My mother knew we were all way overdue for a reckoning and, to her credit, tried to reclaim me. She moved us out of my grandmother’s house to a small, half-shotgun-style house at 391/2 Institute Street. No hot water, four tiny rooms, four blocks away from my grandparents. There she tried to set some normal boundaries. It was too late. Those four blocks might as well have been a million miles. I was roaring with anger and loss and every chance I got, I returned to stay with my grandparents. It was my true home and they felt like my real parents. I could and would not leave.
The house by now was functional only in one room, the living room. The rest of the house, abandoned and draped off, was falling down, with one wintry and windblown bathroom, the only place to relieve yourself, and no functioning bath. My grandparents fell into a state of poor hygiene and care that would shock and repel me now. I remember my grandmother’s soiled undergarments, just washed, hanging on the backyard line, frightening and embarrassing me, symbols of the inappropriate intimacies, physical and emotional, that made my grandparents’ home so confusing and compelling. But I loved them and that house. My grandma slept on a worn spring couch with me tucked in at her side while my grandfather had a small cot across the room. This was it. This was what it had come to, my childhood limitlessness. This was where I needed to be to feel at home, safe, loved.
The grinding hypnotic power of this ruined place and these people would never leave me. I visit it in my dreams today, returning over and over, wanting to go back. It was a place where I felt an ultimate security, full license and a horrible unforgettable boundary-less love. It ruined me and it made me. Ruined, in that for the rest of my life I would struggle to create boundaries for myself that would allow me a life of some normalcy in my relationships. It made me in the sense that it would set me off on a lifelong pursuit of a “singular” place of my own, giving me a raw hunger that drove me, hell-bent, in my music. It was a desperate, lifelong effort to rebuild, on embers of memory and longing, my temple of safety.
For my grandmother’s love, I abandoned my parents, my sister and much of the world itself. Then that world came crashing in. My grandparents became ill. The whole family moved in together again, to another half house, at 68 South Street. Soon, my younger sister, Pam, would be born, my grandfather would be dead and my grandmother would be filled with cancer. My house, my backyard, my tree, my dirt, my earth, my sanctuary would be condemned and the land sold, to be made into a parking lot for St. Rose of Lima Catholic church.